Long and short pieces on music you should listen to; audio gear; and pop culture.

Tag: Kinks

Seven Months

I don’t know what it was. Maybe it was the cooler weather we’ve been having here the past couple of days. Maybe it was the impact of the rather remarkable (I refuse to use “unprecedented” anymore, it’s become – sadly – overused) situation that the Post Office has become controversial. The POST OFFICE. Maybe it was the turn of the calendar, and me recognizing that I’ve been working from home for seven months now, with no end in sight. In any event, the gravity of our current situation brought me back here, finally. (My last post was in April, for crying out loud.) I’ve got a lot to talk about. So I went to my collection and pulled out a bunch of vinyl I haven’t listened to on the turntable for a while, and I’m at the keyboard. Randy Newman’s Good Old Boys kind of called out to me tonight, and it kind of fits the current mood. Let’s do some fast takes tonight.

Good Old Boys (Randy Newman album) - Wikipedia
[Warner Brothers]
  • The Kink Kronikles. Aside from the Buzzcocks’ Singles Going Steady, has there ever been a better anthology? If you’re honest with yourself, you’ll agree. TKK is, like SGS, more than a collection of hits, though it functions as that, of course. It’s pretty much devoid of the primal, early, “You Really Got Me”-era songs, and more devoted to presenting the full spectrum of the Kinks’ brilliance, from Ray Davies’ well-documented observations of English life to his brother Dave’s best work. And John Mendelssohn’s liner notes are simultaneously moving, insightful and hysterically funny. Soon to be re-pressed for the first Record Store Day Drop in August! On red vinyl!
The Kinks - The Kink Kronikles (1972, Terre Haute Pressing, Vinyl ...
{Reprise]
  • You know what Clapton album is just as good, maybe better than Slowhand? 461 Ocean Boulevard. Fight me.
  • Found recently at Mystery Train in Gloucester: a SEALED copy of Johnnie Taylor’s Rare Stamps. Not someone I had on my Stax-artist-I’ve-got-to-check-out list, but, DAMN, this is some grrrrrrrreat soul music.
Johnnie Taylor - Rare Stamps (1969, Vinyl) | Discogs
[Stax]
  • I’m going to be covering audio gear more. This terrible pandemic has taken so much from us in life (170,000 dead as of this writing) and livelihood. Aside from – thankfully – my go-to record stores re-opening, there has been little to do musically; no concerts or gatherings. So I’m directed some of my pent-up music-related energies into to restoring electronic gear from the mid-70’s to early 80’s golden era of hifi. I’ve always admired the 1975-1978 Harman/Kardon industrial design (as well as their peerless audio design), including their Citation line. I just got an H/K 330c stereo receiver (cheap!) to restore as a first project. The 330c was a starter receiver that they sold tons of – it’s only rated at 20 watts/channel, but punches way above its weight. I’ll talk about my restoration efforts in future posts. Wish me luck!

The Flash of (Soundtrack) Recognition

I love the movies. More to the point, I love going to the movies. When I was a kid I loved seeing movies, but I really started going to the movies in college (the scene of so many discoveries, I know.) Everyone at the U had a writing requirement in their first year – everyone took the same course first semester, but you got to pick the second semester course. So, I picked “Rhetoric of Film.” NOT a gut course, I assure you. We had to write a lot, but the fun part was that we got to see a different film/program every week to write about. One week was Persona. Another week was a bunch of Max Fleischer cartoons (“Popeye”, the Superman shorts.) But every week was awesome, and I grew to love and appreciate every aspect of great film – the cinematography, the writing, and the music.

Music has always been a key tool of the filmmakers’ craft, used to create mood or convey thoughts without dialog. In the mid-70’s filmmakers (starting pretty much with Saturday Night Fever) began incorporating more popular music in their soundtracks, and relying less on traditional, original musical scores. (TV, too – The Sopranos was masterful in its music selection.) Blockbuster movies especially leaned heavily on pop music. It’s become a game of mine to rate movies based on how awesome the song selection is. High Fidelity, of course, gets top marks.

But I was very pleasantly surprised when I went to see Avengers: Endgame opening weekend and found that the filmmakers were totally on their music game, capped with a scene where two of the Avengers visited another (don’t worry, no spoilers here!) to the backdrop of The Kinks’ Supersonic Rocket Ship. Whaaaaat?

“SRS” is on Everybody’s In Show-Biz, the half-studio, half-(drunkenly) live followup to the Kinks’ classic Muswell Hillbillies, and the track is often overlooked by the titanic song that is Celluloid Heroes, a legit Kinks Klassic. But Supersonic Rocket Ship is a classic in its own right. It channels the same tropical vibe as Apeman, but spools out some of the well-honed Ray Davies social observation in a way he wouldn’t do this skillfully for quite some years later. So, Marvel: well-done! If Avengers: Endgame wasn’t great enough already, including this song pushed the movie into the stratosphere.

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