Wow And Flutter

Long and short pieces on music you should listen to; audio gear; and pop culture.

Terrestrial radio, the KLH Twenty-one, and good sound

Happy New Year, everyone! As you can see, I’ve already lapsed in fulfilling my new year’s resolution (“Post more.”) 🙄 Oh well.

But I’ve been using the time well, buying records for the shows and resuming my pandemic avocation of audio restoration. This time, though, compared to the task of restoring monster receivers like the Harman Kardon Citation, I’ve taken on something much more modest but just as much fun: the legendary KLH Model Twenty-one FM Receiving System (more than a mere ‘radio.’ Read on.)

My restored KLH Twenty-one in my home office

KLH in the late 50’s and through the 60’s was the Sonos of its day, turning out from its Cambridge, Massachusetts factory thousands upon thousand of high quality but (always) reasonably priced and innovative audio systems and speakers that found their way into homes and dorm rooms everywhere. The genius American engineer Henry Kloss (AR, K(loss)LH, Advent, Cambridge Soundworks, Tivoli Audio) had an absolute gift for creating the best sounding products for most people’s ears (and lifestyles) at the most reasonable price point.

The KLH Model Eight

One of their first products was a two-box, all-tube FM receiving system, the classic KLH Model Eight, combining an FM tuner with incredible sensitivity and an amplifier, tastefully voiced to complement the Model Eight acoustic suspension speaker. Pound for pound, it sounded (and still does – many are still in use) amazing and arguably better than many ‘real’ systems of its time.

AmericanRadioHistory.com

The Model Twenty-one was the all-transistor successor to the Eight, and cleared the high bar set by its older brother. In a single box about the same package as the receiving section of the Eight was a better tuner and a great amplifier, coupled to a high performance acoustic suspension speaker. (It even had a handle built in to the back so you could carry the light from room to room.) And the whole thing was wrapped in a furniture-quality walnut enclosure. Yes, it was mono-only, and yes, you could not plug in an external source (again: read on) but KLH sold thousands of these amazing music boxes, where people could place them where perhaps a larger KLH system wouldn’t reasonably fit.

So, last summer I found a Twenty-one at a yard sale for next to nothing, so I brought it out from its hiding place, brought it back to life and did an almost-full restoration, including refinishing the walnut case to its original glory, replacing the yellowed (and shrunken) grille fabric, and – perhaps the most important part – modding it up to allow for a switchable AUX input for an external source, in this case an AUKEY Bluetooth receiver with AptX.

The AUX input now lets me stream music from my Roon server, so now I can alternate between my own music and the great FM stations in the Boston area. Boston has one of the best and most diverse supply of FM content (and strong signal) in the country, bested only by New York City. I’m able to pull in – using only a simple dipole antenna – crisp, clean FM signal from stations like WERS 88.9, WGBH 89.7, WBUR (90.9) and WCRB (99.5.) The quality of FM broadcasting (I’m talking quality) has taken a steep dive over the past 10-20 years due to greed and consolidation in the , as well as the rise of satellite and internet radio. But: if you have a terrestrial radio station you like/love, the audio quality of that FM broadcast will absolutely trounce any satellite and internet feed.

Try it some time. You won’t regret it. 🙂

Ain’t no supply chain issues here! Come buy some vinyl on December 18th!

Boy, what a roller coaster of a year, huh? Ups, downs, some sideways, but we’ve made it. And the holidays are upon us, just like that! Bet you need some gift ideas, right?

Well, the staff of thousands at Wow and Flutter have the solution for you – come see us on December 18th from 12-4PM at Mill No. 5 at 250 Jackson Street in historic Lowell, MA for our final show of the year! We’ll be chock full of a constellation of LP and 45 goodness, and we’ve restocked the World-Famous $2 Fun Bins™ with some funky stuff for you to dig. After (or, before) you check us out, you can take in the amazing Mill No. 5 shops and get in your last-minute holiday shopping! Let’s goooooooooooooooooo!

Who wants music?

Wow! THANKS to everyone who streamed through our space in Union Square at the Rock n Roll Yard Sale in Somerville yesterday!! There were many, many happy people who left with music of their dreams, especially from the who-knows-what-you’ll-find $2 Fun Bins™! (One lucky dude walked home with an LP of bird calls.)

But wait…there’s more! We’ll be restocking and appearing at Mill No. 5 in Lowell (250 Jackson Street) on Saturday from 5-10PM for Nerd at Night! We’ll be chock full of LP, 45 and CD goodness, and after (or, before) you check us out, you can take in the amazing Mill No. 5 shops and get in some early holiday shopping!

Come see Wow And Flutter LIVE! in September!

Hey everyone – when y’all return from vacation, Wow And Flutter LIVE! will be at some great in-person (and, for the most part, outdoor) shows in September.  Mark the dates on your calendar so you can stop by and pick up some great vinyl (or CDs or 45s if you roll that way) for the holidays.  Ain’t no supply chain issues at WnF!

First up: the Somerville Rock and Roll Yard Sale in Union Square Plaza from noon to 6PM on Saturday the 11th!  Lots of great locally sourced vendors (like us!) selling a fun and eclectic mix of Records/Vintage/DIY Handmade goods.  Admission is FREEEEEEEE! and there will be live music and a DJ.

More later on our other September dates:

Review Time! More Record Store Day Part 1 releases

As I write this on the East Coast, it’s NINETY FOUR degrees. At 8:30PM. Yikes, stay cool people, by uncorking some reviews of even more finds from the first 2021 RSD:

Buzzcocks – A Different Compilation (Cherry Red Records)

(Cherry Red Records)

This two-disc (pink vinyl, poly-lined sleeves) collection of the Buzzcocks’ finest – and best known – songs is kind of the flipside of the Al Green RSD disc.  It’s a repress of a 2011 release from the band, where they absolutely blister through these songs in the studio as if they were playing them in a live set.  From that perspective the record succeeds, since probably none of you ever got to see them play live, and this is (was, RIP Pete Shelley) a great band.  But it’s inessential from the viewpoint of anyone who already has Singles Going Steady or A Different Kind Of Tension.  Those songs and performances are already perfect, and these renditions don’t really give you any different angle on the originals.  This is a very fine record, but only for the completists.

Lee Perry – Roast Fish Collie Weed & Corn Bread (VP/17 North)

(VP/17 North)

A thoughtful remaster (on nicely pressed clear red vinyl) of a 1978 release from the iconic reggae producer/writer/singer/everything-er.  Lee Perry’s hands were on everything in Kingston during the ascent of reggae, but to many he’s still not as nearly well-known as he should be.  One reason may be his production style, which is in full freak-flag mode on this release.  He throws in a kitchen sink of effects, from mooing cows (seriously) to … crying babies?  I don’t know, I can’t identify half of this stuff.  But the material is up to the challenge, and the songscape is creates is dense, but rich with detail that reveals itself on repeated listens. 

Record Store Day Part 1 releases, part 2

Happy Friday, everyone.  I hope you’ve had a happy and healthy week.  Here in Massachusetts, we’re in a very good place for the time being (and hopefully much longer than that), but other parts of the country (never mind the world) are not as fortunate.  So think of them; and if you can do something about it, do something about it.   

Let’s listen to some more finds from the first 2021 RSD: 

Al Green – Give Me More Love: The Orchestral Greatest Hits (Hi/Fat Possum) 

(Hi/Fat Possum) 

Winner of the first annual Wow And Flutter “Least Essential RSD Release.”  Al Green’s Hi recordings are legendary and essential American music, equal in stature to any of the great American vocalists.  Now, I’m not one to say a recording can NEVER be improved – look at what Giles Martin has been able to do with the Beatles remasters.  But taking Willie Mitchell’s perfect production, overlaying strings over it AND de-emphasizing the original instrumental work subverts one of the great beauties of the original recordings, which is the SPACE, or ‘holes’ that exists in those arrangements, that let Reverend Al’s delivery breathe.  To boot, a crappy paper inner sleeve is included.  It’s on pink vinyl, if you find that important.  Give Me Less. 

Donny Hathaway – Live (Atco/Rhino) 

(Atco/Rhino) 

This is a storied live album that regularly makes its way into lists of “best live albums.”  I don’t know if it makes my top 5, but it’s a wonderful, soulful set.  Hathaway, who was taken from us too soon at age 33, shows his estimable skills and beautiful voice in this VERY live set recorded at the Troubadour in Hollywood, and the Bitter End in the Village.  It sounds almost like a very, very good audience taper recorded it – you can almost smell the smoke and whiskey.  (This is not a complaint.)  Made up of mostly – well-chosen – covers and originals like his classic The Ghetto, the rapturous audience has every right to be rapturous.  John Lennon’s Jealous Guy is a highlight.  And the band COOKS, notably on the closer Voices Inside (Everything is Everything.)  Another carefully made Rhino reissue – wonderful gatefold jacket and a proper poly-lined inner sleeve.  

Toots and the Maytals – Funky Kingston (Island) 

(Island) 

Another classic, the definitive reggae album.  Yes, more than anything by any of the Wailers, or The Harder They Come.  Aside from the fancy white/blue split vinyl pressing, nothing fancy here packaging-wise (and yet another shitty paper sleeve!)  This is not remastered, but it’s a decent pressing, though nothing special.  At the end of the day though, it’s just fabulous and uplifting reggae.  If you don’t own this yet, please fix that immediately. 

Review Time! Record Store Day Part 1 releases, part 1

Fontaines D.C. – Live At Kilmainham Gaol (Partisan, 2021)

(Partisan/Knitting Factory Records)

Live recording/no audience for this July 2020 COVID lockdown session at this deeply historic site (I’ve been there, it’s a moving and amazing place you should visit if you are ever in Dublin.)  The jail (gaol) interior is all high ceilings, metal and stone, and you can really hear the reverb in this recording, where the band TEARS through ten songs from Dogrel and A Hero’s Death (including the great title track from the latter.)  You should get those albums too, but if you’re able to find this disc, snag it – it’s an excellent introduction to this very fine bunch of punks.  Great (180g) vinyl quality and packaging (one of the better made gatefolds I’ve seen.)  Plus: a poster for the dorm room wall!

Echo and the Bunnymen – Live In Liverpool (Cooking Vinyl/Demon UK Import)

(Cooking Vinyl/Demon)

This is a first-time-to-vinyl reissue of a 2001 performance at the Liverpool Institute for Performing Arts – “LIPA” for you acronym fans.  The band is in very, very, fine form here, running through not just the hits (including The Killing Moon, simply one of the finest songs ever written) but fine lesser-known songs like King of Kings.  The arrangements are muted, taking on an “Unplugged” vibe, but the different perspective suits the songs well – with the exception of Killing Moon, which sounds on the tinkly side – that song needs to go big.  EXCELLENT two-disc vinyl pressing on clear vinyl.

Kenny Dorham – quiet kenny (New Jazz/Craft Recordings)

(Craft Recordings)

Craft Recordings has been firmly establishing itself as the go-to label for high-quality reissues.  Their recent introduction of their “Small Batch” one-step pressing series, kicking off with John Coltrane’s Lush Life put them right in the mix with Mobile Fidelity, Speakers Corner, and Chad Kassem’s Analogue Productions.  This fine 1959 disc on the New Jazz label (a Prestige predecessor) is no exception.  The music is exceptional (Dorham is backed by a murderer’s row of Tommy Flanagan, Paul Chambers and Arthur Taylor) and the mastering, by the peerless Kevin Gray from the original mono tapes, is fab also.  The disc has the usual RTI quality – it’s a drop-dead quiet pressing, and the sleeve is a properly heavy cardboard with a poly inner sleeve.  If you can still find this disc (Craft only pressed 2500 copies), snap it up; it’s a gem.

Wow And Flutter LIVE! is back! For reals!

Wow And Flutter LIVE! is back! Mark your calendars for September 25th from 11AM to 4PM at the Sheraton Framingham (Route 9/Mass Pike Exit 12 (new exit 111.) I’ve been restocking during the past Year Of No Shows and have an amazing and extensive collection of vinyl, 45s and CDs for you to buy.

May be an image of 1 person and text that says 'SATURDAY SEPTEMBER 25TH, 11AM 4PM AT THE SHERATON FRAMINGHAM TUNG-IN HOTEL IN FRAMINGHAM-MA PICNIC! THE OUTDOOR RECORD FAIR! RECORD VENDORS! DJS! DANCING! SNACK BAR! FULL BAR! PART OF THE NEW ENGLAND SHAKE-UP! WWW.NEMENGLANDSHAKEUR.COM'

DJs (including the legendary Barrence Whitfield) will be spinning vinyl all afternoon! There’s also a picnic concession stand AND (not to bury the lede) a full bar! With alcohol!

The best part is that it’s FREE and open to the public. Check out https://newenglandshakeup.com/ for more information on the whole event. Come down and have some fun!!!

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